I was struck with a vision rooted in cosmology, art and music. Nothing comes from nothing. All of ideas are conceived out of an intercourse with that which inspires.
bioscape
Friday, 29 November 2013
Sunday, 24 November 2013
Friday, 22 November 2013
Friday, 15 November 2013
Science, Art, Evolution and imagining life: Alexander Semenov, Ernst Haeckel and Darwin
I first saw the image bellow posted on facebook by the eminent neurologist Oliver Sacks.
Photograph of a Sea Angle by Alexander Semenov
'What a great digital artwork,' I thought to myself, as it reminded me of characters from Japanese cartoons I’d seen; like an aquatic Pokemon. But no, it is a photograph of a living creature called a sea angel taken by Alexander Semenov. It is one of the many beautiful images he has captured of bizarre, wonderful creatures that exist below the surfaces of our seas. Semenov is a brilliant photographer as well as a marine biologist. He is just one of many scientist who delve into artistic endeavours to elucidate the marvels of his discoveries. Throughout history science and art have merged to create a bigger picture of our reality. In many circumstances, it has been by means of this merging that our fascination is drawn more deeply into the nature of life.
The images of the Hubbell telescope, rendered in artistic detail play no small part in broadening our interest and understanding of what is beyond our planet.
In the 19th and 20th centuries Ernst Haeckel created magnificent drawings of a rarely seen diversity of life under the seas and above land are. As well as a brilliant artist Haeckel was a biologist, naturalist, philosopher, physician and Darwinist. His detailed representations of living organisms are a testament to the importance of image in understanding. They, furthermore, stand alone as breathtakingly beautiful pictures to feast the eye upon. If, at the same time, we recognise that they are representations of life on our planet I, for one, am thrown into awe: they inspire me to imagination.
Drawings of microscopic life
by Ernst Haeckel
Darwin also used drawings to illustrate his ideas. Not as an accomplished artists as Haeckel but still capable. Through his drawings the fundamental concepts of evolution become more clear. By looking at the work of Haeckel and Semenov we can see to what extent evolution is capable of reaching.
Charles Darwin's drawing of finches,
illustrating the evolutionary links between different types
It is becoming less and less questionable whether life exists beyond Earth. The overwhelming consensus is that it must. Still we are, seemingly, barely aware of the extent of diversity of life we share this planet with. Still, not knowing what all exists on our own planet, we are capable of imagining life that may exist beyond; or that we may even play a hand in creating. As our societies change and technology develops, evolution may be shifting away from natural selection’s survival of the fittest to new kinds of life specialised by human inclinations. But we mustn't forget that as much as we affect nature, it will affect us.
Drawing by Timothy B Layden of imagine life
- inspired in the work of Ernst Haeckel
Labels:
Alexander Semenov,
Art,
Biology,
Charles Darwin,
Ernst Haeckel,
evolution,
extraterrestrial life,
Hubbell Telescope,
living spaceship,
Oliver Sacks,
Philosophy,
science,
Science Fiction,
Timothy Layden
Tuesday, 29 October 2013
Brainwashed: There is wonderful music out there: look find and be inspired
Brainwashed Radio (brainwashed.com) is an online resource of reviews, podcasts, interviews, free music and links to some of the most exciting music ever made.
What is the difference between music and just sound?
I am sure there are quite a few convincing answers to that
question worth arguing with and I don’t wish to tarnish anyone’s point of view
with my own opinions.
I know that I have eclectic tastes and like many with such
tastes I am little interested in the cliché sounds of much of the mainstream
music out there.
I love sound and music and the way they can work together,
flowing in and out of each other.
John Cage’s 4’33’’, also know as 4 minutes and 33 seconds of
silence, is not silent: silence does not exist. John Cage’s piece asks us to
listen. We must listen and make sound.
“There’s no new music out there”, I hear people say
sometimes. Well that’s just not true. We just have to look and we can find
amazing things. Musicians and listeners alike need inspiration from new
experiences. The number of musicians out there playing with sound in new ways,
most probably, outnumbers, to a large degree, the anodyne commercial bands that
we are regularly fed through mainstream radio.
New music comes from experimentation and improvisation.
Improvisation is much more than just noisy Jazz going all over the place,
however wonderful that can be. Improvisation is often where truly new ideas can
be discovered and played with.
The wonderful world wide web and its generous openings for
sharing is a treasure trove of sources for new music. In looking to discover new
inspiring music there is Spotify, Last FM and Grooveshark, which are all great
resources, but one can find themselves circling around the periphery of the music
they are already accustomed to.
Subconscious Communications |
I wanted to look further. In my search for more experimental music I came across Subconscious Communications. Cevin Key, who works with Skinny puppy, Download and The Tear Garden, as well as others, is one of the main forces behind Subconscious communications. The Tear Garden, I discovered, is a collaboration between members of Skinny Puppy and The Legendary Pink Dots, particularly Cevin Key and Edward Ka Spel. Of course I went back and tried these out on Last FM and Grooveshark, which gave me some interesting results but it didn’t go too far. I continued my search trying to find more from TheLegendary Pink Dots and their cohorts and discovered some great stuff: More than fifty albums of experimental music. But also through my search for more by The Legendary Pink Dots I discovered my greatest source for new, inspiring music: Brainwashed Radio.
Monday, 28 October 2013
In the passing of Lou Reed, a few words from his long time partner Laurie Anderson
Laurie Anderson, Lou Reed's Long time Partner. I saw this live in London a few years ago. In her performance, Dirt Day, Laurie Anderson, talks about the death of her dog Lolabelle and beautifully explains the connection between love and death "The purpose of death is the release of love..."
What do we do with that love we shared with someone who has passed away?
Friday, 11 October 2013
The shape and taste of sound: the phenomena of synaesthesia
The Man who tasted shapes by Mark Lazenby
Imagine the taste of the letter R, the smell of the colour
indigo or the shape of a sound. Maybe you don’t have to imagine it. Perhaps
these ideas are perfectly normal for you. The shape of sounds, well yes, of
course, I say. I love the shape of bass notes. They are like big, shiny, round
beach stones. When bass sounds oscillate and vibrate those rounded stones spin
and sometimes break apart into smaller shapes.
My friend James Wannerton tastes sounds. When his dog barks
he tastes caramel and the sound of the name “Derek” tastes of Earwax.
I used to assume that everyone had a visual/tactile
experienced of sound. Later I learned that this is not the case. I was shocked.
I realise that sometimes people are shocked that I experience the shape of
sounds. I can’t imagine how a dog bark can taste for James.
There are a lot of things that don’t have names. The names
of things come about by people experiencing them and telling each other about
them; occasionally something official happens and new words get published in
dictionaries.
I remember the first time I heard the word synaesthesia. I was at a party telling a friend of mine
about the shapes and textures of the sounds of the music we were listening to.
“That’s synaesthesia,” My friend said.
“Synae what?” I responded.
Then he explained to me that synaesthesia was when the senses
combine, “If you can see music,” he told me “you are experiencing
synaesthesia.”
My friend told me he had found the word in a medical
dictionary. I took his word for it but
didn’t think much about it. “OK,” I thought, “synaesthesia sounds pretty normal
to me then.” I figured there were all
sort of fanciful medical terms for things we think and do.
There are many different points of view regarding the causes
and reasons for synaesthesia. One of the
best accounts of research into synaesthesia is a book called The Man Who Tasted Shapes by Richard E
Cytowic. First published in 1993, this was perhaps the first popular account of
synaesthesia making many people with synaesthesia more aware of their own experiences.
One synesthete (a person with synaesthesia), who has beautifully described her
own experience, is Patircia Duffy in her book entitled Blue Cats and Chartreuse Kittens. Organisations now exist dedicated
to the further understanding of synaesthesia: e. g. The Artecitta Foundation, The American SynesthesiaAssociation and The UK Synaesthesia Association.
Synaesthesia can tell us about the brain, the mind and
consciousness. There are phenomenal people whose brains function in unique ways
in combination with synaesthesia: e.g. Jason Padgett sees mathematical patterns
everywhere he goes and the shapes Daniel Tammet sees for numbers, letters and
concepts have helped him break the bank in a Las Vegas casino and learn
Icelandic in a day. As our science and
humanity develop we may have an opportunity to self evolve and begin making
decisions about what kind of animals we really want to be.
It is possible that some of the knowledge we are gaining
through research into conditions such as synaesthesia will help us tap into
some of the most amazing possibilities of the human brain. May we also not forget
to appreciate the unexpected and inexplicable oddities of conscious
awareness.
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